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吉尔莫女孩 第七季 Gilmore Girls Season 7(2006)

简介:

    Gilmore Girl讲述一对关系十分融洽密切的母女在爱情,家庭,学业和事业等方面面临的问题和她们的选择。该剧风格轻松活波,语言风趣。青春亮丽的演员,优美祥和的场景,精彩动人的故事,构成了这样一部难得的美剧精品。

演员:



影评:

  1. 一年内总算是断断续续的把《吉尔莫女孩》撸完了。这部剧怎么好,应该不用多说了吧。周末的时候捧上一杯热茶,窝在床上看GG,简直不能更美好温暖 xD。再加上两名女主都很有魅力,智慧,美丽,独立,还都很文艺,简直就是我等豆瓣女青年望尘莫及的女神标本啊有木有。

    但是!!!!!我写这篇影评主要是想吐槽的!!!!!

    第三季之后应该是换编剧的原因,质量直线下降,从温馨母女变成了绯闻女孩,剧情进展非常慢,要么就是绕圈子。应该没有观众不知道Loralai的真命天子是luke,所以这两个人绕来绕去真的没什么意思。Rory的三个男友中,我最喜欢的是Jess。Jess和Rory在我眼中是真正的soul mate,再加上两个演员戏外也很来电,所以看得我也是醉了,少女心扑扑的。第四季,消失已久的Jess突然又回来了,再离开时他给Rory的解释只有“我爱你“这一句话。这里Rory 和Jess诠释了爱的太累,所以相濡以沫,不如相忘于江湖。如果在这里结束Jess的部分的话,也算是另一种完美,可以理解,但是编剧非要让Jess之后再充当一次炮灰,突然又跑出来嚷嚷着和Rory私奔,在这个时刻Jess的身上已经只剩下Lorelai口中的那个“每个女孩都要经历的坏男孩”的特质,自私且胆大妄为,而非第三季中那个深邃,智慧,不羁的Jess。人物角色的性格不能从一而终,我觉得真的是大忌。更别说Dean这个婚外情大炮灰了吧,简直离谱到家。我从一开始就不喜欢Logan,但是最后一集他给Rory说再见,心里竟觉得不舍了。还有第六季,Luke突然冒出来个女儿,实在是太狗血了。

    吐槽完毕,给看GG的各位一些个人的想法和建议吧。

    1. GG说白了就是American pop culture reference+ chick flick+ chicken soup for the soul, 这三层看官们各取所需。个人建议,chick flick那层仅供娱乐,鸡汤那层不要深究,美国文化那层倒是可以琢磨一下。

    2. 第三季中,Lor说过一句话,Your favorite TV show is more than just a TV SHOW, but a life style. 我个人不太同意她这句话。我觉得 One's life style is way more than just what TV show he/she watches. TV show真的是仅供娱乐,你的生活方式不能是仅限于此,更不能依赖于此。

    3. 特别想强调一下GG母女对垃圾食品的热衷和对健康饮食的排斥。千万不要被误导!!!!!晚餐汉堡,薯条,披萨,milk shake, 再来个冰淇淋,这要是在现实生活中,再高的代谢率也经不起这样吃。身体是自己的,只有善待身体,身体才会回报你。除了健康饮食,即使不去健身房,每个星期至少120分钟的活跃时间是必要的。

    4. 在国外真的没有人会像Lor这样说话,语速超快还竟说些有的没的,即使真的有人这样说话,大部分人也都会觉得这人很讨厌,或者直接告诉她 JUST SHUT THE FUCK UP. 英文咱模仿不来,如果中文这样妙语连篇讲个不停也有够烦的。

    5. 我不知道其他人怎么看GG母女在几段恋情中的表现,我反正觉得这两人真的有些作了,过于以自我为中心和轻微公主病。我倒是很同意Em的话,marriage and relationship are all about compromise.现实生活中的恋爱最怕不懂得知足,吃着碗里想着锅里。 最后幸福的人,一般胃口都不大(知乎)。

    6. 《吉尔莫女孩》《欲望都市》之流真的不是新时代独立女性教科书。也就是说,并不是像Samantha那样操遍纽约男人就是现代女性了,也不是像Rory这样因为要有a wide open life 而不同意男友的求婚就是现代女性了。这些影视剧中,我觉得可取的是要明白自己是谁,自己真正想要的是什么,并且目标坚定,大胆追求。如果你就是想成为一个幸福小主妇,并且为此而努力,我不觉得这样的女人就比GG母女差劲。

    7.给这篇影评起名叫 A little corner of the world 是因为这就是GG给我的最真实感受-- 在世界上的某个温暖的角落里,住着一对可爱的母女,还有友善古怪的邻居,和愿意为她们肝胆涂地的王子。但是,这个角落外,是一个比stars hollow 更广阔,更有趣的世界。
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    276. The Shadow of the Wind by Carlos Ruiz Zafon
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    279. Siddhartha by Hermann Hesse
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  3. 和母亲只相差16岁的年纪,每天像闺蜜一样相处,无话不谈,一起吃brunch喝咖啡过movie night--这应该是所有女生都曾经有过的梦想吧?

    在世界上的某个温暖的角落里,就住着这样一对可爱的母女,还有友善古怪的邻居们。她们是Gilmore Girls,妈妈Lorelai Gilmore和女儿Rory Gilmore。

    我妈虽然不是摩登的单亲妈妈,但她爱追韩剧和玛丽苏小说的、心态很年轻,和Lorelai有那么一点相似。

    而我,虽然没有像Rory那样的家世,也没有优秀到那个高度,但也一直都是大家眼里的好学生,成绩也总算是优秀的。在上中学以前,我也是害羞腼腆,亲戚聚会时总是自己捧一本书默默坐在角落里读,和Rory一样。

    或许是因为这样,从第一次看Gilmore Girls开始,我就爱上了这部剧。一共7季的Gilmore Girls,我也不记得看了多少遍,应该算是仅次于Friends 和 Sex and the City,我看的次数最多的美剧了。这部从高中开始、几乎陪伴了我整个青春的剧,至今在我的硬盘里存着完整7季,一集也舍不得删。曾经有一段时间,睡觉前必须看一集Gilmore Girls,看到宁静安详的小镇生活,才能睡得安心。记忆中的周末,捧上一杯热巧克力,窝在床上看GG,简直不能更美好温暖。就好像我看过印象最深的对于这部剧的一句话点评所说:“如果你出生在大城市,这部剧集会让你见识天下最完美的小镇生活,如果你出生在小镇,那么……这部剧集会告诉你,真正的小镇生活该是什么样的。”

    当得知Netflix在Gilmore Girls结束后的第10年,又要重启这部剧的时候,内心的激动是难以言表的。想和身边的朋友分享这个喜讯,转了一圈之后,发现知道并且看过这部剧的人太少了。它在豆瓣上,每一季打过标签的人平均不超过500人,的确算是比较小众了。然而它在美国却是一部非常经典的家庭剧,和成长的烦恼、老友记一样,陪伴着许多人长大。

    作为一部tag是家庭、亲情、女性的美剧,Gilmore Girls的剧情节奏比较慢,整体偏平淡温情风。女主角一脸羞涩的笑容,赫本式的装扮,好像老式童话里的上流公主。故事的主线围绕Gilmore这对只相差16岁的母女展开,妈妈Lorelei Gilmore在16岁的时候未婚先孕,生下了女儿Rory Gilmore,也因此和自己的父母闹翻,离开了富裕的家庭,独自在Conneticut州的小镇上抚养女儿长大。独特的成长环境和极小的年龄差距让Rory和Lorelei不像母女,更像姐妹、闺蜜,两人无话不谈,相处起来轻松又自然。

    △ A typical Friday movie night with popcorns.

    这部剧当然不只是关于母女之间的情谊。这个小镇上,几乎每个人都爱摇滚乐和咖啡。Gilmore母女每周五会有雷打不动的movie night + pizza and ice cream,俩人热衷于垃圾食品,对健康饮食无比排斥。并且,小镇的居民会议以及会议上大家的辩论也非常有趣,男主之一、Lorelei的男朋友Luke就是个标准的小镇无政府主义者。

    △ Stars Hollow 小镇会议

    一个冬天的周末重感冒,花了一整天时间宅在床上看完了新的一季,Gilmore Girls: A Year in the Life,生命中的一年。这一季很特别,只有短短四集,分为冬、春、夏、秋,四季的轮回也就是生命的轮回。剧组诚意满满到几乎所有能回归的角色都回归了,包括Rory初恋在内的的三任男友,Lorelai母亲曾经御用的私人造型师,Rory的高中同学……有生之年能看到这样的重启,这份感动应该只有老粉才会懂。

    Gilmore母女生活的宁静小镇Stars Hollow,仿佛一点都没有变过。而Rory已经从第一季的16岁青涩少女,成长为了一名32岁的大龄单身女青年。第7季的结尾,Rory以最高荣誉从耶鲁大学新闻系毕业,拒绝了高富帅男友的求婚,奔向了自己所憧憬的自由生活。然而10年后的回归,看到32岁的Rory事业无成、爱情混乱、回家啃老,完美女孩的不完美,我也就放心了。

    很有意思的一个场景是Rory在纽约为一个杂志社做采访,Lorelai 跑去陪她。晚上Rory回到酒店,很沮丧地说,我刚和一个玩cosplay的男人发生了一夜情。这是我第一次一夜情,而我都32岁了,我是不是一个loser。你呢,你第一次一夜情是什么时候?Lorelai说,我16岁就有了你,我这辈子都没有一夜情过,三夜情倒是有过。

    △ Rory和Lorelai在纽约的hotel room里

    优秀完美如Rory,一路上作为“别人家的孩子”走来,在32岁的时候并没有如我们想象成为人生赢家,而是和我们一样,陷在生活的困境里。32岁的她没有稳定的恋情,还和远在伦敦、已经订婚的高富帅前男友暧昧纠缠不清;她没有稳定的工作,好不容易拿到写书的合约,却在一周后被解约,回过头去面试原本不想去的小公司也遭到拒绝;她甚至没有固定的住所,行李被分成几个大箱子,散落在纽约的闺蜜家、外婆家和Lorelai家;她没有固定收入,窘迫得快要连内衣都买不起。无奈之下从伦敦回到纽约,再从纽约回到了自己长大的小镇,和镇上许多其他出去闯荡过,却一事无成,最后选择回家啃老的年轻人一样,被称作小镇上的“30-something gang”。

    Rory的困境就像我们大多数人那样真实无奈。

    最后一集Fall 秋天,是收获的季节。Lorelei和Luke在爱情长跑9年后终于步入了婚姻殿堂,Rory意外怀孕,全剧就在这里戛然而止,留下了无限的想象空间。Rory或许会离开小镇,或许会和Lorelai一样把孩子生下来抚养长大,就这样开始新的生命轮回。这样的结尾意外又合理。

    △ Lorelai的婚礼后,Rory向她坦白自己怀孕的事

    △ Rory在半夜向Lorelai描述自己新书的构想

    嗯,总之生活就是充满各种意外——Rory的生活如此,我的生活也如此,而一切担忧都是徒劳而无功。

    那么,不如享受上帝的美意。

  4. 我从来没有写过影评,想到豆瓣上有那么多懂得高深技术名词的影视专业评论就望而却步,然而在我感恩节,一个全家团圆空气中弥漫着温暖的甜点和火鸡中迷迭香的味道的一个晚上,对着架在钢琴上的电脑重温了大约有一百遍的Gilmore Girls的时候,有点想写点什么,表示我对导演Amy Sherman-Palladino的尊敬。

    我自认为是一个还算爱看剧的人,然而在看过Gilmore Girls之后,我就再也没看过别的电视剧了。这大概也是我第一次在艺术方面感叹 “曾经沧海难为水,除却巫山不是云。” 看完了这样一部精致的剧,大概再也看不进去无脑的,靠着紧张却不靠谱的剧情维持着,以卑劣地口吻结束一个season只为了再排下一个season的电视剧了。曾经也非常喜欢过Jane the Virgin, 尤其是在Jane的姥姥终于鼓起勇气去为了自己的权力游行的时候被感动,那个时候觉得,一个电视剧能用小小的细节去呼吁一种与时俱进的正能量,也算是非常成功了。但那终究是还没有看到过更好的 ——在看完GG之后,我便越发觉得曾经还算喜欢过的Jane the Virgin实在有些正能量地用力过猛,让人觉得太不真实,也没有那种看完了之后会回味很久的感觉。

    那么Gilmore Girls到底是讲什么的呢?有人说是讲一对母女的故事。是,又也不是。如果按照正常美剧,尤其是像是Quantico那样的FBI剧情剧的速度来比较Gilmore Girls,对比起来好像看起来Gilmore Girls过去了10集也没有发生任何重大的事情。然而这正是它的精髓 。在Gilmore Girls中,有很多镜头都是跟随着两个人(母女之间,闺蜜之间,情侣之间,朋友之间)一边走一边对话进行着的。每一句话都是那么地精妙,几乎每一句话都有一个典故,或者是巧妙的谐音和歇后语,看似没有波澜起伏的剧情,但每一句话都如此精巧地揭示着人物的性格,人物之间的关系,并且每一句话都能让你的心暖暖地,然后会心一笑,然后还有一点点满足 —— 觉得好笑这件事本身,也是因为听懂了聪明的典故。在一次采访中,演员们透露,一般情况下45分钟一集的剧本大约有50页,然而Gilmore Girls的剧本一集却有七八十页。在这七八十页里,塞下的是编剧灯下一点点下的工夫,是一辈子读的书和关注的流行文化典故,也是一个又一个的艺术性的灵光乍现。我想这也是这部剧至今在中国找不到播放源,好像也没有字幕翻译的原因——翻译这部剧就好像一个费力不讨好的工程,有二倍的文字和只有爱好文学的人才懂的词,完全没法翻译的韵律和笑点,却有着好像比生活还慢的情节。如今盛行的让人绞尽了脑汁也猜不出发生了什么的警匪片剧情片,在盛大的视觉效果和音乐下,人们的脑子像消化着快餐一样地消化着那或许明天就会忘掉的情节,又有谁会去花几倍的功夫,在一字一句上下功夫呢?也正是这些一字一句,让看剧的我们就好像走进了他们的生活一样,和他们一样为一件细微的小事高兴,失落,和他们一起成长。

    剧的名字叫做Gilmore Girls,指的的妈妈Lorelai Gilmore,女儿Rory Gilmore,还有姥姥 Emily Gilmore,几代人的故事。然而这部剧又为我们塑造了一个如此生动的Stars Hollow小镇。小镇里有嗓子粗糙,大妈性格的Miss Patty,也有性格极其书呆子并且尴尬的Kirk,还有人人都讨厌但也有点可爱的Taylor,等等。有时候,关掉电脑,我会真的觉得,这样一个小镇就存在在地图的某个角落,那里秋天的时候会有红叶,冬天的时候会下雪,大家会在凉亭里坐下来,说着“I smell snow”。有一年四季村民里执着地举办着的在外人看来无法理解的活动,也有那些真实得动人的亲情,爱情,对自由的向往,和生活的困惑,无奈,喜悦。

    前面提到了这部剧的语言的琐碎和情节的缓慢。然而这样生活化的作风却不能遮盖这部剧从始至终就被安排好了的剧情上的无穷意味。并不像喜剧Modern Family或者是Big Bang Theory,演到了八九季都还是同样的笑点,同样的情节,Gilmore Girls在原始剧的7季和最后的A year in the life中每一个情节都是大故事中不可或缺的一部分,每一个出现的人都有他的意义,每一个细微的情节,都在导演和观众心中都有着珍重的地位。举个例子吧,Rory和Logan第一个比较浪漫的情节,是他们在Life and Death Brigate 中从高处撑着伞喊着 in omnia paratus (ready for all things)跳下来。那时候Logan对Rory说 : “It'll be fun, it'll be a thrill. Something stupid, something bad for you. Just something different. Isn't this the point of being young? It's your choice, Ace. People can live a hundred years without really living for a minute. You climb up here with me, it's one less minute you haven't lived.” 这也是他们的爱情的象征。他们的爱情中,Logan把Rory彻底改变了,她学会了冒险,她学会了追寻自己喜欢的事情,然而在这段关系里,Logan改掉了花花公子的习性,也学会了责任。在最后的时候,Logan和他的朋友们来到小镇Stars Hollow带着Rory进行了最后一次的“冒险”,如果仔细观察,那几个朋友打扮的装束都是在映射着Wizard of Oz, 他们说的台词也是和Oz里相对应的。想到这里觉得心里一震,Rory就好像是Oz里的Dorothy,她的奇幻之旅总有结束的一天,然而那回到现实的密码就是,那平凡却长存的爱 —— Rory和妈妈那不变的爱和关联。在Logan和Rory道别的时候,Rory说,“ I think your days of rescuing me are over.”
    Logan 说,“ Oh, you never really needed rescuing, Ace. You know that. “
    Rory说“ I do now. “ I do now. 在离别的时候,Logan把微笑着的Rory永远地留在了拍照的手势中。这样的细节,让我在每次重新看的时候,都再感动一遍。有时候我在想,映射了Wizard of Oz这样一个细节,为什么如此地美?编者为什么要来上这样一笔?是让观者在发现“秘密”的时候有聪明人的窃喜,还是这样的映射会让人感受更深一层的意味?我还是没有想明白,但是却被这细节感动。

    还有太多的细节让人回味无穷,在这里无法都提到 ——这也是看这个剧的一个满足感,每看一遍,都会发现更多让人回味的细节,好像一本宝藏,让人领略导演和编剧那让人赞叹的大脑和艺术造诣。 在这里我就只提到结尾吧。结尾的一句话,给我的感觉有点像是在看Eyes Wide Shut的时候最后的一句F*ck。那一句话,点醒了整个主题。GG的最后一句话是Rory告诉她妈妈,I’m pregnant,随后镜头戛然而止,留观众在电视机前瞬时间明白,这都是一辈辈人逃不出的循环啊。这造孽的循环,也是温暖的循环。

    最后,既然说是致敬导演/编剧 Amy Sherman-Palladino的,那就不得不再不厌其烦地诉说我对她的佩服。我说不上是佩服她,尤其是在看过她的采访之后。她不喜欢在椅子上好好坐着,她会整个人陷在椅子里翘着二郎腿,她喜欢抢话,喜欢操着大嗓门说得没完没了,她不屑于用文明的语言,然而这些都遮盖不住她耀眼的才情和完美主义。在一部明知道不会受欢迎的剧中,她坚持选角选那个感觉最对的,无论是完全没有表演经验的主角Rory(Alexis Bledel),还是已经有了其他工作硬要抢过来的Lorelai/Lauren Graham),再到片中每一首都不多余,并唱到心里去的音乐,都无声地告白着她对艺术的敬意。


    最后,放上一句Amy Sherman- Palladino关于电视剧音乐的语录,
    “I think music on television is just uniformly dreadful. It is mundane, it says nothing. They use it to say, "Here's a funny moment!" like everyone's retarded, you know? It's not an extension of the drama, it's distraction. It's like, "I'll distract you, so you won't know how shitty the show is."